Posted on by Lone Crane

How Four Wuxia Authors Planned to Spend Their New Year—in 1986

The other day I ran across an article, reported by Nangong Yan 南宮雁, from February 2, 1986 in Singapore’s Shin Min Daily News 新明日报 that reports on what eight different authors in Taiwan were planning to do for the upcoming Chinese New Year. Four of them were wuxia authors, so I translated their entries below:

Qin Hong

This Year He’s Going to Cut Back

Qin Hong—professional authors are also feeling the effect of the recession.

Those who know Qin Hong knows he has a “saying”—to collect stamps from each country.

Qin Hong is a punctucal “on the clock” wuxia author. In the morning he writes, in the afternoon he plays weiqi or goes hiking, and in the evening he watches videotapes.

Every year, Qin Hong travels overseas for the New Year. This year, Qin Hong says he won’t be taking a long trip. He lists three reasons: one is that his wife insists on taking a bus tour; two is that his oldest son just went to university; and three is that the pay for submitting manuscripts has gone down. Although he’s not struggling financially, with the economy in a slump, he’s going to cut back on spending.

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Posted on by Lone Crane

How Much Money Did Wuxia Writers Make?

A Discussion of Taiwanese Wuxia Author Pay

by Gu Xueyi

During the 60s and 70s over 400 wuxia authors emerged in Taiwan. To a large degree this was because the barrier to entry to become a wuxia author was very low, and one could receive abundant remuneration in return. In other words, many authors chose to write wuxia novels not because of some lofty ideal but because they could live a good life. As Zhuge Qingyun once said of himself, “Even though there’s no literary inquisition in this generation… writing books is still just a way to make a living.”

But how much money could a wuxia author make? This is a big topic. For example, Jin Yong, who ascended to the ranks of “billionaires” partly because of his wuxia novels, still the most important reason was because of the market value of his newspaper, Ming Pao. Or Gu Long, the money he earned from film and TV adaptations far exceeded the money he made from his novels. But that’s not the focus of this discussion. What I’m more interested in is manuscript submission payment because that is what the vast majority of wuxia authors relied on to make their living. After all, Jin Yong is just one person, and so is Gu Long. Their success is very difficult to duplicate; few authors were lucky enough to see their work adapted to film or TV, much less be like Jin Yong and use a newspaper empire to earn a nearly astronomical income.

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