Hong Kong’s “Great Wuxia Era” — Part 2

Hong Kong’s “Great Wuxia Era”

by Lin Yao

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Luo Bin’s founding of Wuxia World was the first magazine specializing in wuxia fiction. It was a weekly and readers could read more words at a time, much more satisfying than what readers got with what was published in newspaper supplements. For a time, Wuxia World was a bestseller, every week publishing over 10,000 copies, and it was available all over Vietnam, Malaysia, Thailand, and Singapore.

Luo Bin was a businessman. He took the wuxia fiction that had been published in the other magazines under the “Global” banner: West Point and Blue Book, and reprinted them in Wuxia World. Aside from printing old manuscripts, new manuscripts shifted to this battlefield, simultaneously serialized in the magazine and published as standalone volumes by Global Publishing and Wulin Publishing, each thin volume around 70-80 pages. These are still being sought after by wuxia fans and collectors today.

Besides Wuxia World, on October 5, 1959, Luo Bin also founded Hong Kong Daily News. In addition to publishing Hong Kong news, it mainly focused on horse racing and sports forms.

Ti Feng’s wuxia fiction and horse racing reports were well-written, but he was also a skilled calligrapher. The masthead of Hong Kong Daily News was written in his calligaphy, and he wrote horse racing forms for the paper as well.

Luo Bin had his “business sense”: “Every day I had to publish periodicals and the Hong Kong Daily News; some of them were no cost, like when it came to printing I could use the leftover paper from the newspaper. Hong Kong Daily News was a bit narrower, so there was more leftover paper. Typesetting and printing after all has personnel and machinery, you do what you can. Publishing so much, some would make a lot of money, some not so much, but still it’s something.”

The publication of Wuxia World made Ming Pao’s proprietor, Jin Yong, want to have a go at it himself. Jin Yong, possessing a mind for business, naturally wasn’t going to let Luo Bin have a monopoly. Once Ming Pao had been in operation for over half a year, on Janurary 11, 1960, he started publishing the magazine Wuxia and History. In order to attract readers, Jin Yong wrote another wuxia novel—he gave 1959’s Fox Volant of the Snowy Mountain a prequel, The Young Flying Fox, to compete with Wuxia World.

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Taiwan Wuxia Fiction Clichés

Taiwan Wuxia Fiction Clichés

by Jin Yong

For the last six months I’ve been reading a lot of wuxia novels. Recently there hasn’t been much wuxia novel output from Hong Kong authors, but on the Taiwan side it’s been surging like a storm, works emerging one after another. I read this kind of fiction exceptionally quickly, reading two books a night, each book between ten and twenty volumes. So the reason i can read these so fast is very simple, it’s because the novels’ plots are all pretty much the same, the stories formulaic, rarely seeing something new when flipping through them.

The following plots can be found in the great majority of Taiwan wuxia novels:

  1. A “dashing” young xia’s parents are killed by an enemy, so he is forced to roam the jianghu and undergo many adventures.
  2. Lots and lots of lady xia love him, among them will definitely be a licentious girl with the nickname of “Peach Blossom Something-or-other”, and there will be a lady xia disguised as a guy. This xia will certainly be drugged with an aphrodisiac and won’t be able to help himself from getting involved with one of the lady xia, “making a serious mistake”.
  3. The backbone of the story will be vying for a secret manual of the martial world or some rare jianghu treasure.
  4. This young xia will definitely obtain a secret martial arts manual left behind by an extraordinary person from a previous generation, and he will train until his martial arts is unmatched under the heavens, and the manual left behind will definitely have the words “left for one who is fated to receive it”.
  5. The young xia will definitely incur the favor of a senior who will help him open up his Conception and Governing vessels, get through a life-or-death training trial that will increase his strength one-, two-, or threefold.
  6. The xia’s antagonist will definitely be a master of a heretical school, some Demon Lord, Divine Lord, Ancestor, or old woman, all written the same, their appearance as grotesque as their martial arts, but with unexceptional personalities.
  7. Masters from prominent schools like Wudang, Shaolin, Kunlun, Kongtong, etc., will, when faced with the young xia, become completely worthless mediocrities.

The plots are mostly the same, and the language used to write them is also clichéd, stuff like “if it’s a blessing it’s not a disaster, if it’s a disaster you can’t avoid it”, “felt like ghosts were everywhere”, “a rare bud of the martial world”, none of them used by Hong Kong wuxia novelists. Wuxia fiction has been all the rage for less than ten years, but on the Taiwan side it seems to be even more popular than in Hong Kong. But in ten years for so many clichés and formulas to have already become so deeply rooted is really astounding.

Ming Pao, April 25, 1963