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The Origins of the Tang Sect in Wuxia Fiction

Webnovel readers are perhaps more familiar with the Tang Sect through the fantasy series Douluo Dalu《斗罗大陆》(aka Soul Land) by Tang Jia San Shao (唐家三少), but it has its origins in wuxia fiction dating back to the Republican period (1912-1949) and since has become a common sect used by many wuxia authors, such as Liang Yusheng 梁羽生, Gu Long 古龍, and Wen Rui’an 溫瑞安.

Yet although the Tang Sect is common in wuxia fiction, it is actually ostensibly based on a real person. The original source is a martial arts manual anthology written by Wan Laisheng 萬籟聲 in 1926 called《武術匯宗》Collected Schools of Martial Arts, in which Wan Laisheng compiled information about many different martial arts techniques he had learned. In this book he mentions “Elder Sister Tang” of Sichuan:

有操五毒神砂者，乃鐵砂以五毒煉過，三年可成。打於人身，即中其毒；遍體麻木，不能動彈；掛破體膚，終生膿血不止，無藥可醫。如四川唐大嫂即是！
There are those who use Miraculous Five Poisons Sand, which is iron sand refined with five poisons and takes three years to make. When it makes contact with a person’s body, that person is poisoned. Their whole body goes numb and they can’t move. If it breaks the skin, pus and blood will ooze nonstop. There is no antidote. Elder Sister Tang of Sichuan is one such user [of this poison sand]1

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Hong Kong’s “Great Wuxia Era” — Part 2

Hong Kong’s “Great Wuxia Era”

by Lin Yao

3

Luo Bin’s founding of Wuxia World was the first magazine specializing in wuxia fiction. It was a weekly and readers could read more words at a time, much more satisfying than what readers got with what was published in newspaper supplements. For a time, Wuxia World was a bestseller, every week publishing over 10,000 copies, and it was available all over Vietnam, Malaysia, Thailand, and Singapore.

Luo Bin was a businessman. He took the wuxia fiction that had been published in the other magazines under the “Global” banner: West Point and Blue Book, and reprinted them in Wuxia World. Aside from printing old manuscripts, new manuscripts shifted to this battlefield, simultaneously serialized in the magazine and published as standalone volumes by Global Publishing and Wulin Publishing, each thin volume around 70-80 pages. These are still being sought after by wuxia fans and collectors today.

Besides Wuxia World, on October 5, 1959, Luo Bin also founded Hong Kong Daily News. In addition to publishing Hong Kong news, it mainly focused on horse racing and sports forms.

Ti Feng’s wuxia fiction and horse racing reports were well-written, but he was also a skilled calligrapher. The masthead of Hong Kong Daily News was written in his calligaphy, and he wrote horse racing forms for the paper as well.

Luo Bin had his “business sense”: “Every day I had to publish periodicals and the Hong Kong Daily News; some of them were no cost, like when it came to printing I could use the leftover paper from the newspaper. Hong Kong Daily News was a bit narrower, so there was more leftover paper. Typesetting and printing after all has personnel and machinery, you do what you can. Publishing so much, some would make a lot of money, some not so much, but still it’s something.”

The publication of Wuxia World made Ming Pao’s proprietor, Jin Yong, want to have a go at it himself. Jin Yong, possessing a mind for business, naturally wasn’t going to let Luo Bin have a monopoly. Once Ming Pao had been in operation for over half a year, on Janurary 11, 1960, he started publishing the magazine Wuxia and History. In order to attract readers, Jin Yong wrote another wuxia novel—he gave 1959’s Fox Volant of the Snowy Mountain a prequel, The Young Flying Fox, to compete with Wuxia World.

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How Much Money Did Wuxia Writers Make?

A Discussion of Taiwanese Wuxia Author Pay

by Gu Xueyi

During the 60s and 70s over 400 wuxia authors emerged in Taiwan. To a large degree this was because the barrier to entry to become a wuxia author was very low, and one could receive abundant remuneration in return. In other words, many authors chose to write wuxia novels not because of some lofty ideal but because they could live a good life. As Zhuge Qingyun once said of himself, “Even though there’s no literary inquisition in this generation… writing books is still just a way to make a living.”

But how much money could a wuxia author make? This is a big topic. For example, Jin Yong, who ascended to the ranks of “billionaires” partly because of his wuxia novels, still the most important reason was because of the market value of his newspaper, Ming Pao. Or Gu Long, the money he earned from film and TV adaptations far exceeded the money he made from his novels. But that’s not the focus of this discussion. What I’m more interested in is manuscript submission payment because that is what the vast majority of wuxia authors relied on to make their living. After all, Jin Yong is just one person, and so is Gu Long. Their success is very difficult to duplicate; few authors were lucky enough to see their work adapted to film or TV, much less be like Jin Yong and use a newspaper empire to earn a nearly astronomical income.

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