“Xia” Becoming More and More Complicated — On Zheng Feng and Valley of Life and Death

Hong Kong resident and wuxia novelist Zheng Feng is from a political family. Her father is our well-known former President of the Control Yuan Chen Li-an, and her grandfather was the second Vice-President Chen Cheng, but she did not follow them down the path of politics but instead followed after her brothers in her youth by beginning to read wuxia novels before creating her own wuxia world, to the point that she has been honored by Ni Kuang as the female piece of the puzzle the wuxia world has long been looking for.

Now she is not only a wuxia novelist, but also the mother of five children, writing novel after novel while raising her kids. Her newest novel, Valley of Life and Death, follows up her previous novel, Legend of the Marvellous Peak and the Strange Stone, which used the early Tang dynasty as an historical backdrop. This new novel takes place in the later Tang, when military governors vied for control in a fractured, waning empire.

“I used historical records as a foundation to construct a chronological table and was shocked: a lot of people during that time were killed by assassins. The military governors vied for each other’s territory, were poisoned and stabbed to death everywhere. The biggest of such incidents was when Li Shidao sent people to kill Wu Yuanheng in the street.”

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Sima Ziyan Dares Not Overstep His Bounds

Within wuxia literay circles, there are two famous authors who used to be roommates when they were students; they would stay up late every night, drinking and chatting. But once they graduated they didn’t communicate with each other. Later, when they were both popular among wuxia literary circles, they never helped promote each other but relied completely on their own talents to make their way in the world.

Those two wuxia authors were Sima Ziyan, original name Zhang Zuchuan, and Dugu Hong, original name Li Bingkun. At Tamkang University, Sima Ziyan was two grades higher than Dugu Hong. Sima Ziyan went on to enroll in the literature department and majored in Chinese literature.

After graduating, Sima Ziyan and his classmates had to perform mandatory military service. He was sent to the communications unit to work as a telegraphic dispatch. Because there was no war on at the time his days were mostly idle aside from hectic training exercises.

It was boring on duty when there were no telegrams to receive or dispatch, so Sima Ziyan took the opportunity during this downtime to write. He had already been submitting manuscripts to newspapers and magazines to earn a little money when he was in university, so his finances were a bit more comfortable than his classmates, and he usually had money to buy liquor.

What he was writing at that time was not wuxia, but typical youth literature. There was one story from those early publications he was particularly proud of, a story published in the Min Tsu Evening News called “Green Light”.

The story takes place in the green light district of Baodou in Wanhua District in Taipei and depicts a young prostitute leading a miserable life in that dark corner of town, as well as roving unruly hoodlums. The characters are vividly rendered, the plot is heartfelt and moving. His teacher, the famous author Xie Bingying, read the story and praised it highly. She felt it was a society novel of a kind rarely come by.

The well-established Spring & Autumn Publishing had published some of Sima Ziyan’s literary writings, though they mostly published wuxia novels. One day, Sima Ziyan returned home to Taipei on leave and dropped by Spring & Autumn’s offices to pick up his royalty money. The publishng house’s boss, Lü Qinshu, ran into him and it was like meeting one’s savior. He grabbed him and said he had something important to discuss with him.

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Yun Zhongyue’s Jianghu

Test

by xuefengzisui (雪峰資水)
Nanjing University 小百合站, May 16, 2003

Seeing people talk about Jin Yong every day moved me to write this essay. Every wuxia star is like a perilous peak among a towering range of mountains. Although they all stand firmly, tall and straight among the clouds and mist, each has its own distance and height. Everyone has their favorite author, and readers are perhaps the most partial. Reading wuxia, if a reader likes one writer and regards others as a pair of old shoes, then it’s a lot like visiting a famous mountain yet not appreciating or delighting in it. Wuxia, despite being fiction that narrates stories of made-up characters, every writer has his own method of fabrication, and from these methods we can see where current trends spring up. Regarding wuxia authors from Hong Kong and Taiwan, I believe there are several whose accomplishments are underrated. Whenever I see people loudly declaim at forum discussions that everyone other than Jin Yong is trash, or everyone except X is trash, I can’t help but sigh at their juvenile attitude. The ancients said, “A leaf blocks the eye and you can’t see Mt. Tai”. For a lot of wuxia readers, Jin Yong has become the standard, and Jin Yong’s jianghu has become a model, and wuxia should be written this way.

But although everyone knows that Jin Yong is excellent, he is still not capable of overshadowing others’ literary grace. In fact, as far as I’m concerned, aside from the greats: Jin Yong, Gu Long, Liang Yusheng, Wen Rui’an, and Huang Yi, there are three other authors whose achievements have been underrated, and those three are: Sima Ling, Sima Ziyan, and Yun Zhongyue (雲中岳). It’s too bad that, despite the fact that these three authors’ novels have their own unique characteristics, people still rate them as second-rate wuxia authors, along with Zhuge Qingyun and his generation. The special traits of Sima Ling and Sima Ziyan’s novels will be discussed in other essays. Here I want to talk about Yun Zhongyue.

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On “Innovation” and “Diversity” — Gu Long

One day I was on a TV production set in Taiwan watching a rehearsal. Most of the people rehearsing were friends of mine, most of them excellent actors.

One of them was not only an excellent actor, he was also an outstanding screenwriter and director who had directed an incredible, unconventional and moving film that had won accolades at many film festivals.

Someone like that is without a doubt an intelligent person, a literary master. He suddenly said to me, “I’ve never read a wuxia novel. You should lend me one you think is the best so I can see what wuxia novels, after all, are all about.”

I laughed.

All I could do was laugh, because I knew what he meant.

He thought that wuxia novels were not worth reading, and that he only wanted to read one now because he was my friend and was a bit curious.

He thought people who read wuxia novels were not on the same level as people like him, definitely not high-level intellectuals with an eye on the new and original.

Thouigh he said he wanted to read one, his mind was already made up that wuxia novels were not worth anything.

Yet he had never read a wuxia novel, and didn’t even know what wuxia novels wrote about.

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